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DI/S – Digital Inter/Section, a multiyear project is releasing four case studies of new business models for digital arts organisations and the creative sector. Fabien Fabre and Chroniques, a partner in DIS - Digital Inter/Section, a project supported by Creative Europe emphasizes the importance of rethinking financial strategies and adopting innovative models to support sustainable growth. The research lessons underscore the role of audience engagement in strengthening financial resilience. Through a media partnership the four case studies of new business models for digital arts organizations are also shared on HACNUM platform, a national network for digital arts in France, where these insights are being shared with industry professionals. The study serves as a vital resource for cultural organizations navigating today’s evolving economic landscape.
DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models for digital arts organisations and the creative sector. Some of the key findings include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. Fourth case study: SIGNAL Festival, new business model targeting ticketing and audience strategy. Through a media partnership, the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. Its online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 4, Ticketing and Audience strategy - Signal Festival’s pilot project - Prague - Czech Republic, published January 13, 2025.
DI/S – Digital Inter/Section, a multi-year project supported by Creative Europe, is releasing four case studies of new business models for digital arts organizations and the creative sector. Some of the key finds include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. Third case study: Experiments with sustainable venue management - KONTEJNERS’ pilot project - Zagreb - Croatia. Through a media partnership the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. Its online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 3, Experiments with sustainable venue management - KONTEJNERS’ pilot project - Zagreb - Croatia, published January 13, 2025.
DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models for digital arts organisations and the creative sector. Some of the key finds include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. Second case study: KIKK exhibition space in Namur, Belgium and the Klub Pavillon. Through a media partnership the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. It’s online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 2, Klub Pavillon - KIKK’s pilot project - Namur - Belgium, published January 13, 2025.
DI/S – Digital Inter/Section, a multiyear project supported by Creative Europe, is releasing four case studies of new business models for digital arts organisations and the creative sector. Some of the key finds include a strong audience perspective and that funding through a diversification of income streams, independent of public or private funding, creates stability and sustainability. First case study: CHRONIQUES 2024 in France, and its Market of Digital Imagination Fair (MIN). Through a media partnership the case studies are also shared on XRMust’s platform. XRMust.com is a media dedicated to new media storytelling and immersive design. Its online magazine and database, in French and English, interviews key creators, producers, programmers and influencers in the cultural and creative industries on the new formats of digital creation. Digital Inter/section Case Study 1, Chroniques 2024 and Market of Digital Imagination Fair, published January 13, 2025.
Ricardo Bernardino talks new collection “Sea to Silk” and his collaboration with Michel Deville with Mundane Magazine’s Luca Di Fabio.
“I am attracted by colorful art with distinct forms and figures. Artists like Niki de Saint Phalle and Camille Walala inspire me with the vibrant energy and bold creativity of their work” says Ricardo Bernadino.
Meet fashion designer Ricardo Bernardino in episode 24 of City of Muses by Paris Underground Radio. Bernardino talks about his participation in Paris Fashion Week 2024 and his capsule collection Sea to Silk, a collaboration with the Swiss artist Michel Deville. Each week, City of Muses host Jennifer Geraghty sits down with contemporary artists, poets, dancers, designers, and performers to explore what inspires them, what their creative processes are like, where their ideas come from, and how Paris has helped or hindered their dreams come true. Inspiration and creativity meet in Paris, the City of Muses!
In the news, reportage about Ingela Ihrman at Malmö Konsthall on SVT Kultur, October 3, 2023. Reporter Dennis Dahlqvist.
The Art Bystander was a launched in early 2022. The podcast focus on the individuals who drive the art industry today and tomorrow; from artists to gallerists, curators, financial backers, advisors, collectors, and more. Listen to the conversation with CHART’s Director Julie Quottrup Silbermann here.
Art matters in the Nordics. Not only did Icelandic newspaper Morgunblaðið publish a major interview with CHART director Julie Quotrupp Silberman, they also chose to publish it in their Thursday edition that is distributed free in Reykjavik.
Artnote’s Karolina Modig in conversation with artists Anna Ling about her exhibition at Lunds konsthall summer 2023. Read the full conversation here.
“Jag var ute och gick sent på kvällen och såg hur speglingarna i havsytan blev som en metamorfos av himlen, rymden och havet. Maneterna blev till något slags nebulosor, en stjärnhimmel.”
In the years since Andrade and Ortega met in 2018, the house has been transformed from a Brutalist mass into something more precise and humane. Together, they sheathed the structure’s second floor in pale pink washed terrazzo, dissolving the heavy box into a Cubist cloud. To keep from overstimulating himself, Andrade initially left most of the interiors blank, though they’re now filled with prototypes made by a design collective called Taller Tarapacá that he and Ortega founded in 2019 along with the 32-year-old industrial designer Paula Cermeño León (who helped Andrade turn his first sketches for the house into usable plans) and the 35-year-old textile designer Mozhdeh Matin. (Michael Snyder NYT T Magazine, Aug. 9, 2022)
“All these pioneering photographers explored the relationship between art and fashion: they were instrumental in establishing photography as an artform where popular culture, haute couture, street style, representations of beauty and gender issues were mixed and challenged. They opened the door to new aesthetics, raised social issues, embraced new ideals”, explains Claes Lindquist.
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