DI/S Case Studies: SIGNAL Festival Ticketing and Audience Strategy
How can digital arts organisations bring in a business mindset while maintaining artistic integrity as major producers of digital art? DI/S - Digital Inter/Section, a multiyear project supported by Creative Europe, has released four case studies of new business models for digital arts organisations and the creative sector. A key takeaway from the Prague case study include is that by targeting both mass and niche audiences, Signal Festival can secure long-term growth while maintaining artistic integrity and developing visitor experiences - thus putting audience perspective and artistic integrity at the center.
DI/S Case Studies: KONTEJNER - Sustainable venue management
DI/S - Digital Inter/Section, a multiyear project supported by Creative Europe, has released four case studies of new business models for digital arts organisations. The Zagreb case study revolves around experimenting with economic sustainability and community engagement for Kontejner’s new venue, a small centre for contemporary art practices.
DI/S Case Studies: Chroniques - Market of Digital Imagination
DI/S - Digital Inter/Section, a multiyear project supported by Creative Europe, has released four case studies of new business models for digital arts organisations and the creative sector. One of the partners is Chroniques in Marseilles known for the Biennale des Imaginaires Numériques across the south of France. The case studies and other tools are available as open source through the project’s website.
Digital Art X New Business Models
Collaboration ranks high when European digital arts and culture organisations look at how to develop income streams and business models while promoting sustainable, ethical and inclusive economic growth. Meet Fabien Fabre and Chroniques, a partner in DIS - Digital Inter/Section, a project supported by Creative Europe, that is preparing to launch 4 case studies to support the CCS sector.
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